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  • The Objectification of the woman body in ex-Machina (A. Garland, 2014)

    The development of digital images has opened a window to an illimited number of new narratives and story-worlds. A recurrent character since the appearance of modern science-fiction is the humanoid robot. As seen in Terminator (1984), Ghost in the Shell (2017), and so many more, the objectification of the body is a common sight in cinema today, and whilst…

    eleatessier

    5 March 2023
    Non classé
  • The nostalgia of Dogme 95 Filmmakers

    Dogme 95 is a manifesto created by the Danish filmmakers Lars Von Trier and Thomas Vinterberg in 1995, which led to a new form of cinema. They defined the ‘right way of filmmaking’ by determining in the Vow of Chastity a set of ten rules, such as no additional lighting or props (everything must be…

    eleatessier

    5 March 2023
    Non classé
  • Digital Technology in the hobbit saga

    Digital cinema emerged in the 1990s and revolutionised the industry of moving images. It is used as a new method of visual storytelling and enables filmmakers to tell numerous stories that couldn’t be told in cinema before, especially in the fantasy and science-fiction genres. The Hobbit saga (P. Jackson, 2012-2014) is a good example of the impact of…

    eleatessier

    5 March 2023
    Non classé

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